Bibliography

The following is a list of published essays, articles, reviews, notices and other publications which critically discuss, refer to, and/or include documentation and other information with respect to the projects and activities of David Pestorius. The list derives from David Pestorius’ own archive and, like the related and sometimes overlapping information listed on the Publications link, it is not comprehensive.

2007
Ingrid Periz, 'Keeping the fires burning, Australian Art Collector, No. 39, Sydney (January)
Ellie Buttrose, 'In the time of Turrbal-Jagera', Eyeline, No. 63, Brisbane (June)
'David Pestorius', Art Forum Berlin, catalogue (September)
The Red Krayola with Art & Language, 'A Pest', Sighs Trapped By Liars CD, Drag City Records, Chicago (September)

2006
April 2006 poster, David Pestorius Projects
Rex Butler, Review of 'On looking at looking: The art and politics of Ian Burn', Art Monthly Australia, #188 (April)
David Pestorius, Letter to the editor, Art Monthly Australia, #189 (May)
Art & Language, Letter to the editor, Art Monthly Australia, #189 (May)
Top Shelf, (Art: Heimo Zobernig @ Artspace #1), Sydney Morning Herald, 21 April
Top Shelf (Art: Heimo Zobernig @ Artspace #1), Sydney Morning Herald, 28 April
Conceptual Paradise: Stefan Römer in conversation with Wesley Hill, Eyeline, No. 60, Brisbane
Angela Goddard, 'Origins', Paul Bai: Return To Aesthetics, folder, Brisbane
'David Pestorius', Art Forum Berlin, catalogue (September)

2005
Ed Kuepper’s MFLL, Perth International Arts Festival, program, (February).
Ed Kuepper’s MFLL, Perth International Arts Festival: Sommerville Live, Program Notes, 19–20 February.
Ed Kuepper’s MFLL, Brisbane Powerhouse, program, May—August.
The Sound of Painting, catalogue, The Arts Centre, Melbourne, (May).
Ed Kuepper’s MFLL, Queensland Music Festival, program, (July).
Giles Dodson, ‘Ed Kuepper: Celluloid Soundscapes’, Scene Magazine, Brisbane, 13 July.
Trent Dalton, ‘Saint in the suburbs’, Brisbane News, July 13—19.
Luke Beesley, ‘Film fans put under Ed’s spell’, The Courier Mail, Brisbane, 18 July.
‘David Pestorius’, Art Forum Berlin, catalogue, (September).
Danni Zuvela, ‘Ed Kuepper & the Len Lye legacy’, Realtime, No.69, Sydney, October—November.
Catherine Chevalier, 'Heimo Zobernig', Frog, Numero 2, Paris, Automne/hiver.
Keith Broadfoot, ‘After The Field’, in Radical Revisionism: an anthology of writings on Australian Art, edited by Rex Butler, IMA, Brisbane.
'Manuel Franke', Transister Magazine #3, Germany.

2004
Vanessa Joan Müller, ‘Position Switch in Foreign Parts’, Kaleidoscope, Frankfurt, (January).
‘Art Show in Australia’, www.americanhomebody.com, 20 March.
‘On Reason and Emotion’, Biennale of Sydney 2004, catalogue, entries on Jens Haaning and Heimo Zobernig, (June).
Ed Kuepper’s MFLL, Events, Sydney Opera House, program, July/August.
Ed Kuepper’s MFLL, The Studio, Sydney Opera House, program, July—December.
Alexa Moses, ‘Lye bird’, The Sydney Morning Herald, Metro, 9–15 July.
Ed Kuepper’s MFLL, The Studio, Sydney Opera House, Program Notes, 9 July.
Simon Rees, ‘The Edge of Reason? The 14th Biennale of Sydney’, Flash Art, Milan, July—September.
Ed Kuepper, The Judith Wright Centre of Contemporary Arts, Program, May—August 2004.
Ed Kuepper’s MFLL, Institute of Modern Art, Brisbane, Newsletter, June—September, 2004.
Noel Mengel, ‘Screen offers fresh canvas’, The Courier Mail, Brisbane, 31 July.
Iain Shedden, ‘Playing with pictures’, The Australian, Sydney, 3 August.
Alex Roche, ‘Ed Kuepper; 25 years later’, Scene Magazine, Brisbane, 3 August.
Matt Connors, ‘Ed’s Big Screen Adventure’, Time Off, Brisbane, 4 August.
Ed Kuepper’s MFLL, Institute of Modern Art, Brisbane, Program Notes, 6 August.
Jane World, ‘Ed Kuepper’s MFLL’, Rave Magazine, Brisbane, 10 August.
Sally Brand, ‘Ed Kuepper’s MFLL’, Local Art, issue 14, Brisbane, August.
Penny Webb, ‘What’s the matter ?’, The Age, Melbourne, 18 August.
Ed Kuepper’s MFLL, Les Soirées Nomades, Fondation Cartier pour l’art contemporain, Paris, Program Notes, 16 September.
‘David Pestorius’, Art Forum Berlin, catalogue, (September).
Ulrich Clewing, ‘Immer an der Wand lang’, Frankfurter Rundschau, 20 September.
Claudia Herstatt, ‘Gute Laune beim Art Forum’, Die Zeit, Germany, 23 September.
Volker Lüke, ‘Pop: Ich liebe die Einsamkeit des Gitarristen’, der Tagesspiegel, Berlin, 23 September.
Markus Schneider, ‘Ein untergehender Beton-Flamingo’, Berliner Zeitung, 24 September.
Katrin Wittneven, ‘Berlin wird immer mehr Berlin’, der Tagesspiegel, Berlin, 25 September.
Ed Kuepper’s MFLL, FilmMuseum, Vienna, September program booklet.
'Ed Kuepper', Falter, Vienna, 24—30 September, cover.
Ed Kuepper’s MFLL, FilmMuseum + Burgtheater, Program Notes, 24 September.
‘Soirees Nomades’, Printemps de septembre a Toulouse 2004 — Volume 1: “In Extremis”, Les presses du réel, Dijon, (September).
Steve Bell, ‘Together Again: Ed Kuepper’s MFLL featuring Jeff Wegener’, Time Off, Brisbane, 8 December.
Donat Tahiraj, ‘Ed Kuepper’s MFLL, Annonymeye’, Time Off, Brisbane, 13 December.
Leni Hoffmann: Beautiful one day — perfect the next, catalogue, Modo Verlag, Freiburg.
Manuel Franke: Brauner Zwerg, catalogue, Kehrer Verlag, Heidelberg.

2003
Kim Machan, ‘Artnotes Qld: Ongoing project’, Art Monthly Australia, Canberra, (March).
Erik Roberts, ‘Ed Kuepper shakes up classic avant garde films’, Haiku Review, Issue 3, www.haikureview.net, (March).
Ian Anüll, catalogue, Kunstmuseum Solothurn/Kehrer Verlag, Heidelberg, (March).
Adrian Martin, ‘Aiming for ambience’, The Age, Melbourne, 13 March.
Nick Ling, ‘Strange Bedfellows’, City Weekly, Melbourne, 20 March.
Sacha Molitorisz, ‘Ed MTV’, The Sydney Morning Herald, Metro, 25 April.
Michael Hutak, ‘A.D.S. Donaldson: History Never Repeats’, Australian Art Collector, Vol. 24, Sydney, (April/June).
Hello My Name Is Jens Haaning, catalogue, Le Consortium/Les presses du réel, Dijon (April).
Kim Machan, ‘Artnotes Qld: Catch it if you can’, Art Monhtly Australia, Canberra, (May).
Morgan Thomas, ‘A show about nothing’, The Courier Mail, Brisbane, 3 June.
Sally Brand, ‘Beyond Australian Art’, Local Art, issue 4, Brisbane, (June).
Rex Butler, ‘Her life as a fake’, The Courier Mail, Brisbane, 19 September.
‘David Pestorius’, Art Forum Berlin, catalogue, (October).
Margaret Plant, ‘The journey from Field to Fieldwork 1968–2003’, Eyeline, No. 51, Brisbane.
Nicholas Chambers, ‘Ralph Balson: Painting’, Art & Australia, Sydney.
Peter Bonde: waxinmyinnerear, catalogue, Trapholt, Denmark.
Heimo Zobernig, catalogue, edited by Eva Badura-Triska, Museum Moderner Kunst Stiftung Ludwig Wien.

2002
Chris McAuliffe, ‘Fascinating features’, The Age, Melbourne, 2 February.
Catharine Lumby, ‘Lunch with Andrew Donaldson’, The Bulletin, Sydney, June 11.
‘David Pestorius’, Art Forum Berlin, catalogue, (September).
Noel Mengel, ‘Express’, The Courier Mail, Brisbane, 19 December.
Rosemary Sorensen, ‘A happening in the suburbs’, The Courier Mail, Brisbane, 30 December.
Rex Butler, A Secret History of Australian Art, Craftsman House, Sydney,
Horst Schuler, catalogue, Info Verlag, Karlsruhe.
Christopher Dean, ‘I Dream of Central Street’, Central Street Live, catalogue, Penrith Regional Gallery & The Lewers Bequest.

2001
Trent Dalton, ‘Muted Magic’, The Brisbane News, 24 January.
Phil Brown, ‘But is it art?’, The Brisbane News, 14 February.
Chris Chapman, ‘Hip Hop Poets/Paint it Black’, Broadsheet, Vol. 30 No. 1, Adelaide, (March).
Jane Gallagher, ‘Festival of Monochrome Painting’, Monument, Sydney, (April/May).
Peter Anderson, ‘Creative questions abound’, The Courier Mail, Brisbane, 11 April.
Jane Gallagher, ‘Erich Buchholz — Coloured Rooms’, Monument, No. 43, Sydney, (August/September).
Paul McGillick, ‘Schindler Revisited’, Monument, No. 43, Sydney, (August/September).
David Pestorius, ‘In Concert’, Australian Academy of Science, Canberra, (August).
Donna McColm, ‘Monochromes: a distorted history of influence and identity’, Eyeline (special issue), Brisbane, (Spring).
Sandra McLean, ‘Art Talks’, The Courier Mail, Brisbane, 22 September
‘David Pestorius’, Art Forum Berlin, catalogue, (September).
‘David Pestorius’, 4th Artists’ books + multiples fair, catalogue, Grahame Galleries + Editions, Brisbane, (October).
Rex Butler, ‘He cannot be forgiven’, The Courier Mail, Brisbane, 12 October.
Andrew McNamara, ‘Erich Buchholz: An incovenient footnote within art history’, Art & Australia, Vol. 39 No. 2, Sydney.
Sandra McLean, ‘Artistic Go Between’, The Courier Mail, Brisbane, 1 December.
Sally Brand, ‘A.D.S. Donaldson’, Eyeline, No. 47, Brisbane, (Summer).
Sally Brand + Holly Arden, ‘Curatorial Lab: Brisbane’, Eyeline, No. 47, Brisbane, (Summer).
Donna McColm, ‘Anne Wallace: The Go-Betweens Paintings’, Eyeline, No. 47, Brisbane, (Summer).
Michele Helmrich, ‘Monchromes’, Like, No. 15, Melbourne.
David Pestorius, ‘Letter to the editor’, Like, No. 16, Melbourne.
Burchill/McCamley: Tip Of The Iceberg, Selected Works 1985–2001, catalogue, University Art Museum, The University of Queensland, Brisbane.

2000
Jane Gallagher, ‘deconstructivism’, Postwest, no. 16, Sydney.
Electronic Images, Villa Merkel, Esslingen, exhibition poster, (March)
Noel Mengel, ‘Express’, The Courier Mail, Brisbane, 10 May.
Patrick Donovan, ‘Sticky Carpet’, The Age, EG, Melbourne, 19 May.
Max Delany, ‘Techno-Minimalism’, Octopus No.1, catalogue, 200 Gertrude Street, Melbourne, (July).
David Bromfield, ‘Tyranny of diffidence isolates W.A. art’, The West Australian, Perth, 22 July.
David Pestorius, ‘Monochromes’, University Art Museum, The University of Queensland, Brisbane, poster announcement, December
Gerry O’Connor, ‘A matter of good taste’, The Courier Mail, Brisbane, 20 December.
‘Leni Hoffmann’, Künstler Kritisches Lexikon der Gegenwartskunst, Munich.
Liam Gillick, catalogue, edited by Susanne Gaensheimer and Nicolaus Schafhausen, Oktagon, Köln

1999
‘Gail Hastings’, The Space Here Is Everywhere: art with architecture, catalogue, Villa Merkel, Esslingen, (August).
Rex Butler, ‘Sensing the shift’, The Courier Mail, Brisbane, 25 September.
‘David Pestorius’, Art Forum Berlin, catalogue, (September).
Rex Butler, ‘Revolt’s legacy’, The Courier Mail, Brisbane, 23 October.
Rex Butler, ‘Tricks of colour’, The Courier Mail, Brisbane, 4 December.
Ben Curnow, ‘Geometric Painting in Australia 1941—1997’, Postwest, No. 14, Sydney.
Rex Butler + Keith Broadfoot, Reflections on Geometric Painting, Artspace, Sydney.
Toni Ross, ‘The inescapability of sexual difference: a response to the exhibition Discovering the “feminine”?’, Past Present: The National Women’s Art Anthology, edited by Joan Kerr and Jo Holder, Craftsman House, Sydney.

1998
‘David Pestorius’, Art Forum Berlin, catalogue, (September).
Urszula Szulakowska, Experimental Art in Queensland 1975–1995: an introductory study, Griffith University, Brisbane.

1997
Andrew McNamara, ‘Unpainting’, Art & Australia, Vol. 35 No. 1, Sydney, (January).
Rex Butler, ‘Radical Revisionism’, Eyeline, No. 33, Brisbane, (Autumn/Winter).
‘David Pestorius’, Art 1997 Chicago, catalogue, (May).
‘Gail Hastings’, On Dialogue: Contemporary Australian Art, Jovis Verlag/Haus am Waldsee, Berlin, (May).
‘David Pestorius’, Art 28 ‘97, Basel, (June).
‘David Pestorius’, Art Forum Berlin, catalogue, (September).
Peter Hutchings, ‘A.D.S. Donaldson: Trying Tenderness’, Eyeline, No. 34, Brisbane, (Spring).
Jane Gallagher, ‘Nervous Curves’, The Review, Brisbane, (October).
Louise Martin-Chew, ‘Publishers contemplate lack of focus’, The Australian, Sydney, 5 December.
Leni Hoffmann: Ubik, catalogue, Cantz Verlag, Germany.

1996
‘Wild Oz rivers in display’, The Courier Mail, 13 April.
‘David Pestorius’, Art 1996 Chicago, catalogue, (May).
Alan G. Artner, ‘More than meets the eye’, Chicago Tribune, 12 May
Terry Ingram, ‘Local QC elevates dull fair’, Australian Financial Review, Sydney, 16 May.
Rex Butler, ‘Rodney cut a hole’, Eyeline, No. 30, Brisbane, (Autumn/Winter).
Elizabeth Meryment, ‘Abstract art goes in show’, The Courier Mail, Brisbane, 22 July.
Sue Smith, ‘Polarised reactions’, The Courier Mail, Brisbane, 26 July.
Peter Anderson, ‘Bare minimum’, Brisbane News, (October).
Peter Anderson, ‘Crossing borderlines of real and imaginary’, The Courier Mail, Brisbane, 13 December.
Birrell: Work from the office of Jame Birrell, edited by John McArthur + Andrew Wilson, NMBW Publications, Melbourne.

1995
Anita Nielsen, ‘Sheer Art Attack’, Rave Magazine, No. 177, Brisbane, 22 March.
Simon McKenzie, ‘Robert Forster, David Pestorius Gallery, 1.4.95’, Time Off, Brisbane, (April).
Andrew Stafford, ‘The double life of Robert Forster’, Time Off, Brisbane, 13 July.
Noel Mengel, ‘Starry days ahead for Warm Nights’, The Courier Mail, Brisbane, 29 July.
Karia Pincott, ‘Galleries’, Townsville Bulletin, 31 July.
Simon McKenzie, ‘Warm Nights, David Pestorius Gallery, 29.7.95’, Time Off, Brisbane, 2 August.
Rex Butler, ‘The Object, again’, An Uncertain Smile: Australian art in the ‘90s, Artspace, Sydney, (November).

1994
Michele Helmrich, ‘Leni Hoffmann’, Art + Text, No. 49, Sydney, 1994.
George Petelin, ‘Art’, The Australian, Sydney, 17 June.
‘Hany Armanious’, Artfan, Melbourne, 1994.

1993
Noel Mengel, ‘Forster plugs for a home-town sound, The Courier Mail, Brisbane, (January).
Brian Bennion, ‘Forster comes home again’, The Brisbane Review, 21 January.
Tony Horner, ‘Bringing it all back home’, Rave Magazine, Brisbane, 27 January.
David Pestorius, ‘The reverse crossover and the music of Robert Forster’, Institute of Modern Art, Brisbane, Program 29—30 January.